Retro is probably Surya's worst film till date, notes A Ganesh Nadar.
Kankhajura could have been so much better given its initial promise, observes Mayur Sanap
If you're into reality shows with twists, high drama, clever gameplay and just the right amount of hot pepper, The Traitors is your next binge, recommends Shristi Sahoo.
The edge-of-the-seat action is interspersed with moments of intense, raw emotions of romance, trust and betrayal, and keeps you entertained and waiting for the next big reveal, observes Divya Nair.
Kubera is a well-intentioned addition to Shekar Kammula's cinematic universe that drags on but never loses its prescient quality, notes Arjun Menon.
'The amount of respect we have for people who guard our borders and put the country first.' 'Why do they do this?' 'The chances of not coming back are so high. Still, they take that risk.' 'It's for the love of the country.'
Writer and director Anusha Rizvi returns to cinema after 15 years with warmth, wit and many a laughs.
The only saving grace is the title score by Amar Mohile, which injects some energy into this otherwise pointless attempt at a dark revenge drama, observes Divya Nair.
The documentary series In Transit attempts to correct the misconceptions about transgenders, notes Deepa Gahlot.
The tone of the film may be gloomy but it is never tragic or hopeless. Like millions of underprivileged people who find joy in small things, Shanu, Bua and their mother keep their heads above water, notes Deepa Gahlot.
Everything in Good Bad Ugly seems copied, rues A Ganesh Nadar.
Four Years Later shines in various moments that instantly resonate with you, thanks to Shahana Goswami, observes Divya Nair.
Watch Kaalidhar Laapata because clean family-viewing films are getting scarcer by the week, recommends Deepa Gahlot.
What's unforgiving about Season two is the way the ever-so-entertaining Venkatesh Daggubati is under-utilised, complains Mayur Sanap.
What keeps the momentum going is Kajol's fully committed performance that elevates this generic material to a surprising degree of watchability, feels Mayur Sanap.
Jaat is a full-on, South-infused entertainer that delivers exactly what it promises, feels Rajesh Karkera.
Pankaj Tripathi's Madhav Mishra is one of the most entertaining characters created for an Indian Web series, and the actor plays him with relish, observes Deepa Gahlot.
The weekend saw film folk take a break from Diwali parties and attend the Thamma premiere in Mumbai.
The three lead actors are excellent, giving their parts the various shades of joy, anger, despair and the emotional heft required to make their characters believable and likeable, observes Deepa Gahlot.
Sejal Shah's flatly-narrated timeline would probably serve better as a documentary, observes Sukanya Verma.
The Bhootnii is just never thrilling, frightening or funny enough to pass itself off as a horror comedy, notes Deepa Gahlot.
Kannappa is a bloated mess of a film that underutilises interesting story ideas, observes Arjun Menon.
It was a forgettable weekend for Bollywood as the two new releases -- 120 Bahadur and Mastiii 4 -- failed to get audiences.
Mayur Sanap wishes there was more to a this feel-good exercise that never reaches the dramatic heights it is aiming for.
With a better script, Test could have been a compelling relationship drama. Instead, it only tests your patience, complains Mayur Sanap.
Loot Kaand tries to concoct a crime drama that arouses some curiosity but is instantly forgettable, observes Deepa Gahlot.
120 Bahadur is not just a war movie. It is a tribute, a history lesson, and an emotional journey into the heart of military courage, states Lt Gen Devendra Pratap Pandey, Retd.
Panchayat Season 4 is watchable, mainly because of the wonderful actors, who, over the seasons have developed a warm rapport, notes Deepa Gahlot.
Nishanchi actor Aaishvary Thackeray has signed up to play one of the leads in Yash Raj's new film, directed by Ali Abbas Zafar.
There's not any effort -- not even a smidgen -- to resurrect a superstar on the wane in Sikandar, sighs Sukanya Verma.
The Final Reckoning, with all its startling ambition and scope, puts a dazzling display of stunt-work by Tom Cruise, applauds Mayur Sanap.
For a story that thrives on jumpscares and gruesome kills, The Monkey has enough tricks up its sleeve. The shockers keep you entertained for the most part, observes Mayur Sanap.
Narivetta takes its cue from real-life incidents and fictionalises the ordeal through the experiences of a young cop caught in the crossfire between the police and tribals up in arms, notes Arjun Menon.
Starring Kunal Nayyar, Christmas Karma is a present day take on Charles Dickens' classic A Christmas Carol, with its three ghosts played by Eva Longoria, Billy Porter and Boy George.
Amaran is effective as a intimate, well researched piece of storytelling but does not try to break any new ground, observes Arjun Menon.
'In a world that's loud and fractured, this is my small offering of softness. Of love.'
Chhorii 2 frustrates way more than it frightens, sighs Sukanya Verma.
The Delhi high court on Thursday refused to entertain a public interest litigation seeking a stay on the release of the Bollywood movie The Taj Story, scheduled to hit the screens on Friday.
When we put 'Thala' Ajith and 'Action King' Arjun in the same frame, you can expect fireworks and they don't let you down, notes A Ganesh Nadar.
Govinda has been admitted to the CritiCare hospital in Juhu, northwest Mumbai, after he fainted at home around midnight, his legal advisor and friend Lalit Bindal said.
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